This is a continuation of another thread about color shifting. After I fixed that problem and tried to press the sublimation transfers, I discovered that they were cooking my material. I'm positive that this is a temperature/dwell time issue.
I've attached some pictures so you see what I'm talking about. Note the difference in sheen and how the texture is flattened in the circle compared to the outside.
The pictures are of a Zorrel Z500 performance shirt cooked at 385 degrees for 40 seconds using sublijet IQ ink and accuplot paper. I used a cork trivet under the shirt to isolate the press area with light pressure. I got similar results with a Vapor performance shirt.
The material is not your mother's polyester -- in fact, I picked up some of that stuff at the fabric store and it sublimated fine with no shine or press marks visible! Material spun to resemble t-shirt cotton (regular vapor tees) did ok as well. This stuff is spun and woven so that the fibers form capillary tubes and wick moisture away from the body. This guys thesis goes into the gory details.
I think what's happening is that I'm squishing the air out and fusing the small fibers together -- effectively destroying the very properties I wanted out of the material.
To boot, I'm on my own as I got this reply from the manufacturer:
The plan -
Others here have run into similar problems and they have suggested to try teflon pillows to reduce the edge marks from the press and to lower the temperature. Since I'm learning that 'lower temperature' can mean almost anything, more experimentation is in order.
I have ordered pillows and have done some preliminary testing with lower temps (340ish). The results were promising but there was still some shine. I'm awaiting more black ink before I try again. Yeah, I blew through a full cartridge of ink. Yeah, this little foray has already cost me over $200 (printer, inks, material, paper).
Can anybody point me to the temperatures that the individual dyes sublimate at? I remember running across this but I can't find the link.
I've attached some pictures so you see what I'm talking about. Note the difference in sheen and how the texture is flattened in the circle compared to the outside.
The pictures are of a Zorrel Z500 performance shirt cooked at 385 degrees for 40 seconds using sublijet IQ ink and accuplot paper. I used a cork trivet under the shirt to isolate the press area with light pressure. I got similar results with a Vapor performance shirt.
The material is not your mother's polyester -- in fact, I picked up some of that stuff at the fabric store and it sublimated fine with no shine or press marks visible! Material spun to resemble t-shirt cotton (regular vapor tees) did ok as well. This stuff is spun and woven so that the fibers form capillary tubes and wick moisture away from the body. This guys thesis goes into the gory details.
I think what's happening is that I'm squishing the air out and fusing the small fibers together -- effectively destroying the very properties I wanted out of the material.
To boot, I'm on my own as I got this reply from the manufacturer:
Uh Oh!
The plan -
Others here have run into similar problems and they have suggested to try teflon pillows to reduce the edge marks from the press and to lower the temperature. Since I'm learning that 'lower temperature' can mean almost anything, more experimentation is in order.
I have ordered pillows and have done some preliminary testing with lower temps (340ish). The results were promising but there was still some shine. I'm awaiting more black ink before I try again. Yeah, I blew through a full cartridge of ink. Yeah, this little foray has already cost me over $200 (printer, inks, material, paper).
Can anybody point me to the temperatures that the individual dyes sublimate at? I remember running across this but I can't find the link.