Personally, I only print on white and light ash; the "wax window" tends to show through on darker colors. However, you should still have decent luck with light yellow, natural, or very light blues. Your best bet is to try a sample (and wash it) and see if it fits your quality standards.Colorfast said:When using an Epson with Durabrite inks what shirt colors are considered light and what colors are dark aside from the obvious reds, navy blues, black.
When would I need to switch papers?
White and Light Gray/Ash is basically what I was thinking. Does the dark/opaque paper you use have a "wax window" outline on it? Can a black, navy or red be done with a professional finish?Twinge said:Personally, I only print on white and light ash; the "wax window" tends to show through on darker colors. However, you should still have decent luck with light yellow, natural, or very light blues. Your best bet is to try a sample (and wash it) and see if it fits your quality standards.![]()
I don't personally use opaque papers at all, as I do not like the feel and lower quality. Some people have decent luck with them though, and some customers/markets even like that rubbery feel.Colorfast said:White and Light Gray/Ash is basically what I was thinking. Does the dark/opaque paper you use have a "wax window" outline on it? Can a black, navy or red be done with a professional finish?