Ross B said:
I wasn't actually asking the question, Solmu - it was rhetorical.
So? Rhetorical questions are only asked because the person doesn't
want an answer - not because it's unanswerable. You were making an incorrect assumption, so I was addressing that.
Ross B said:
I was coming from a philosophical angle, not a legal one. I understand your points about copyright law (although I don't think it's anywhere near as black and white as you are insisting - the law rarely is with such matters).
The law is philosophical; it's one of the things that is often under-appreciated about it.
Of course it's not black and white - but it is easier to put it in those terms, and if I am giving advice it needs to be in those terms. Some things are clearly white, some clearly black. You pay a lawyer to separate the grey into further black and white - since I am not a paid lawyer, I have to err with the side of caution and lump the grey in with the black.
Ross B said:
My point, though, is that with many thousands of little Tshirt companies out there, the odds of anyone in the know actually seeing manipulated art in the first place to identify it are very tiny.
There are two prongs to getting caught - one is whether or not your work is identifiable, the other is it then being seen.
So I addressed one - identifyability - by commenting that it's a lot harder to evade that than one might think. The other - being seen - I didn't really address, but implied people may well not be caught (not exactly something I can guarantee

).
I agree with you that there are enough small companies out there that the majority of them most likely won't get caught, even if they are operating illegally.
The thing is, there are pretty much two options there - you're small enough to be under the radar (in which case you're not making a success of yourself and might as well not be doing this), or you are big enough to be seen and therefore get caught. Either way, you may as well not break the law. One doesn't pay, the other doesn't pay.
Ross B said:
Not that I'm advocating breaking the copyright laws...
If you're not advocating breaking copyright laws, why are you advocating breaking copyright laws?
Ross B said:
but my ANALOGY between the use of the 12 bar blues structure as a
Your analogy was flawed.
Ross B said:
Similarly, I would argue (philosophically, not legally, although I really do not think the two can always be neatly separated)
We're not here to "argue" semantics because you enjoy an argument, we're here to discuss practical advice on t-shirt selling (and, to a lesser extent, buying).
Ross B said:
I would contend that representational art should not be copyrightable at all.
That's a political contention that has nothing at all to do with these forums.
As it happens, I'm a copyleft advocate and don't approve of the current copyright system - I am not here to defend it and that's not what I was doing - I am here to describe its realities as they currently are. In the event that it changes to match your philosophical ideals, I will describe it in those terms instead.
Ross B said:
Can you copyright craft? I think not.
Another rhetorical question where you are, in fact, wrong. Craft can be copyrighted.
Copyright law is arcane, and our patchwork attempt to modify it (mostly for the sake of big business) has harmed our very development as a society. That's completely
beside the point.
If you want to discuss what copyright law
should or
shouldn't be then start a thread in the lounge ("Is copyright law in need of reform?" for example), and people can choose to engage on that topic if they're interested. But muddying the waters by advocating copyright infringement
as practical advice is not helpful.
(as a postscript, your posts would be easier to read if you used the inbuilt quote system instead of copy and pasting text between quote marks)