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OK, so I've had a few people asked about the registration template that i use.
here's a quick write up.
it's super simple, costs about a buck. and gets you near perfect registration.
i went from setting up a 3 color job in an hour and a half, to setting up a 3 color job in less than 10 minutes.
my pre registration board is a combination of what I've seen on the ryonet site, and information learned at ISS seminars by Greg kitson and charlie taublieb.
for the most simplistic form... go to walmart, and buy a $1.00 white poster board.
or, you can make life slightly easier and buy a $2.50 ghost board, that has 1/2" graph paper laid out on it it light lines.
lay out on the board, an outline of your frame.
then mark where your screen clamp is.
then mark where your platens sit.
then mark 3 registration marks. two at the top of your platen, and one at the bottom.
the bottom mark, should be centered, and placed about 1/2" to 1" in from the edge of your platen, wherever you prefer to stop printing.
the top marks... one should be centered, again, about a half inch to 1 inch from the edge. i have tapered platens, so i put my marks right on the 16" mark, where the collar lands.
the second top mark should be placed 4" to the right of center, and on the same plane as the top center.
according to charlie taublieb, this is all that is needed. 3 marks. this will guarantee perfect registration.
my marks are 3/4" wide and 3/4" tall a plus sign with a circle. (now, but on this first board, they are just plus signs)
my light table is setup so i have a border to set my screens down into it. this makes it convenient for my registration board as well..
so i lay the poster board down into my light table. and butt it up against two edges.
you can see, on my board i have my platen, as well as my sleeve platen laid out in the center. you can see where my screen clamps are, and the outline of my frame.
in corel draw, i create all artwork from a template.
the template was created by me, and essentially duplicates the same three registration marks on my board.
i have them created, colored with the corel registration color so they print on all separation files. and then have them locked.
this way all artwork i create will be laid out within my normal printing area, and in the same place on every film. very rarely do i have to move my platens anymore, nor my print heads.
so, once i create my artwork, i print my films, and then lay my film right on the board and line up the registration marks.
no need for all the fancy tick marks or rulers. (though you can see on my board that i used to use that method)
i put tape on the four corners of the film, then line up the film to the board. then simply lay my screen right on top of it. butting up the same two edges of my screen against the 2x4 border of the light table the same as the registration template. then lay it down, and rub it to set the tape.
lift the screen, remove the template, set the screen down, close up and expose. go to washout. dry. tape it off, and go to the press......
here's a quick write up.
it's super simple, costs about a buck. and gets you near perfect registration.
i went from setting up a 3 color job in an hour and a half, to setting up a 3 color job in less than 10 minutes.
my pre registration board is a combination of what I've seen on the ryonet site, and information learned at ISS seminars by Greg kitson and charlie taublieb.
for the most simplistic form... go to walmart, and buy a $1.00 white poster board.
or, you can make life slightly easier and buy a $2.50 ghost board, that has 1/2" graph paper laid out on it it light lines.
lay out on the board, an outline of your frame.
then mark where your screen clamp is.
then mark where your platens sit.
then mark 3 registration marks. two at the top of your platen, and one at the bottom.
the bottom mark, should be centered, and placed about 1/2" to 1" in from the edge of your platen, wherever you prefer to stop printing.
the top marks... one should be centered, again, about a half inch to 1 inch from the edge. i have tapered platens, so i put my marks right on the 16" mark, where the collar lands.
the second top mark should be placed 4" to the right of center, and on the same plane as the top center.
according to charlie taublieb, this is all that is needed. 3 marks. this will guarantee perfect registration.
my marks are 3/4" wide and 3/4" tall a plus sign with a circle. (now, but on this first board, they are just plus signs)
my light table is setup so i have a border to set my screens down into it. this makes it convenient for my registration board as well..

so i lay the poster board down into my light table. and butt it up against two edges.

you can see, on my board i have my platen, as well as my sleeve platen laid out in the center. you can see where my screen clamps are, and the outline of my frame.
in corel draw, i create all artwork from a template.
the template was created by me, and essentially duplicates the same three registration marks on my board.
i have them created, colored with the corel registration color so they print on all separation files. and then have them locked.
this way all artwork i create will be laid out within my normal printing area, and in the same place on every film. very rarely do i have to move my platens anymore, nor my print heads.
so, once i create my artwork, i print my films, and then lay my film right on the board and line up the registration marks.
no need for all the fancy tick marks or rulers. (though you can see on my board that i used to use that method)

i put tape on the four corners of the film, then line up the film to the board. then simply lay my screen right on top of it. butting up the same two edges of my screen against the 2x4 border of the light table the same as the registration template. then lay it down, and rub it to set the tape.

lift the screen, remove the template, set the screen down, close up and expose. go to washout. dry. tape it off, and go to the press......