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Originally Posted by simonplowshare |  | | | | | | | | | Is isolated sensitizer powder sensitive to light?
(ps tried presensitized Ulano QX-1 but the exposure time was way too picky for my setup: 11 seconds underexposed 14 seconds overexposed. F-that) | |  | |  | |
Yes, diazo reacts with UV energy, that's why it comes in opaque or brown bottles.
IF you decide to weigh the diazo and 'split' it, remember to work in a UV safe room with a mask so you don't breath any. Store the unused amount in a UV safe container.
You probably mean to write that your fine lines closed up/choked and you are calling 'under cutting' or light scatter, overexposure.
What was the bad thing that happened when you exposed for 14 seconds? How did you determine 11 seconds was under exposed?
What kind of a lamp do you have that can cure in less than 14 seconds with FX88, when the starting exposure on 305 mesh using a 5,000 watt metal halide lamp is 30 seconds.
http://www.ulano.com/emulsn/diazo.htm Overexposure
Exposure can lead to fine lines closing up because of undercutting or light scatter, but when it comes to hardening the stencil, there is nothing wrong with exposing for longer than necessary - you just waste electricity and time when the stencil no longer changes.
This is not like dry overcooked food, or UV burned skin at the beach. It's like cured plastisol or concrete- you can't over cure.
Imagine your positive stopped all UV energy, you could expose for hours and all that would happen would be that eventually there would be no more sensitizer to cross link.
The stencil wouldn't change anymore no matter how long you exposed.
How long does it take to fill a 1 gallon bucket with water? Exposure is volume, not time. A medicine dropper takes 2 hours, but the firefighters next door take only 2 seconds. All you do is waste time and UV energy.
Do not confuse under cutting with over exposure! Light coming from 2 sides will choke the size of fine lines because the light falls on the positive at an angle. The only way to compensate for undercutting is to make lines and dots larger in art so they survive exposure.