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Originally Posted by tdigital |  | | | | | | | | | So, is it the consensus that when you do print, you can't use both push and pull strokes and that you must choose one and stick to it for that specific article of clothing? | |  | |  | |
Can't and
must may be too extreme a life and death answer to this very 'gray' question. You are, or are not satisfied with the blur you get from either stroke, especially when a guy like me tells you dismiss the stroke and raise your mesh tension and the distortion problems go away. I
can tell you, there is no automated press that pushes the blade.
If we tell you, you can't, anything... does that mean you can't? If so, I forbid you to expose another screen without a Stouffer 21 Step Scale. If you break this law, the Screen Police will find you, and arrest you.

I had a girlfriend once tell me during an argument that I couldn't drive on the sidewalk. After the screaming, I asked her to tell me that I can't drive off the lake side cliff. [True Story Milwaukee 1980]
Our standards have no reason to equal yours, or your customers.
If you stroke in 2 directions, you will get 2 blurs, but only if the mesh can move. The evidence is right there on the platen or in your forearm muscles. In two minutes you will know if you have more blur with a low tension screen with a push or a pull stroke. The push requires pressing the mesh into the platen, which some people find delivers a better low tension result. A pull stroke cannot deliver the same smashing the ink through the mesh down force because the blade is acting like a shock absorber.
11:58 Print a shirt and throw the squeegee away. Go to lunch.
12:30 When you come back, check the print. Ooooops! The actual act of printing is the mesh pulling from the ink film - either by itself, or you, slowly puuullling the mesh up so the last bit doesn't pop.